Joy in a jar


If only we could preserve happiness and ship it to friends and relatives to draw on in the new year. Our Christmas crafts projects are a start: Tins of cookies, Mason jars of spiced nuts and pound bags of muffin mix.

It's hard to re-create the Martha Stewart gloss with such infrequent practice, but nevertheless we want perfection from the start. Even the magazine projects from Real Simple aren't all that easy. But we work through enough missteps that the recipient finds the craft tolerable and the food edible. If only because we're keeping the sugared cranberries that didn't quite work out.

Dad wrote us, NO CHRISTMAS PRESENTS, PLEASE. But he did ask for a list of three things or events that bring joy or happiness. For me they're the ingredients of these craft gifts:

Caring. Life is so solitary an activity these days. I need to think about what others need. Few worthwhile things come out of pure self-interest.

Creating. Taking an idea from start to finish is still the greatest way to make a living, and I'm thankful this year I've been able to do that.

Sharing. Brenda's focus and persistence have been tested this year, so it's a joy to see her plans, for these gifts and her come out well. As we pack them up, we wish we could deliver them in person and wrap up a little more joy to the world.

The future of news: Tough it out

Have newspapers forgotten how to sell themselves?

A century ago, newspapers were literally beating competitors. The Chicago Tribune and Chicago Examiner hired thugs to rough up their rivals, giving gangsters Dion O'Banion and Bugs Moran their felonious start. Fourteen news dealers were murdered in Chicago's circulation wars.

These days newspapers are only being studied to death. (Some of these studies are produced at USC and Penn colleges funded by heirs of Moses Annnberg, who hired O'Banion's sluggers.)

This weekend in Chicago there's a conference at Columbia College on the future of news (not the first in Chicago). On Wednesday came a report on what Chicago nonprofit agencies think of online news. The Tribune's media critic read the study and concluded they wanted something like mainstream media.

And Northwestern University the same day launched a website for collaborations between students in journalism and engineering, not the kind of collusion that was O'Banion's specialty. Broadly stated, all this effort starts from a single premise: The daily newspaper's profits are eroding, and new business models are slow to take hold. People in the media business can fill their schedule with many earnest panel discussions of the grave effect this will have on society.

Outside observers might conclude this is another example of media bias. Bigger companies than the Tribune and Sun-Times are failing, and there are few signs of a compulsion to examine whether the automobile is obsolete or if there's any future in banking. Perhaps this is a shared preoccupation of the media and the foundations that study civic progress. Their endowments are under the same pressures as are newsroom budgets.

The days of a dozen Chicago dailies are ancient history, and now companies that held a comfortable local monopoly have a worldwide web of competitors at their door. Welcome to my world. For a dozen years now I've worked in online media, and for more than a dozen years before that at one of the nation's few underdog print dailies.

Employing street gangs to gain market share is no longer an option. Marketers now try to understand their customers' problems and how they can be part of the solution. Newspapers of course have studied this too, and have identified a half-dozen needs that newspapers meet:


  • Enlighten the audience on issues they find important.

  • Educate consumers to make better decisions.

  • Enrich them with time-saving or money-making ideas.

  • Entertain them or ward off boredom.

  • Engage people who share interests or views.

  • Empower them to act on things that matter.



None of these are exclusive properties of newspapers but they're all powerful motivations. If news enterprises have to work harder these days to justify their worth, they're in good company. They can start by convincing themselves of their staying power.

6 steps to street-smart projects


Consultant John Connellan tells of a client who was teaching his 4-year-old son Anthony how to ride a bicycle. Anthony was riding in the street for the first time and he kept drifting to the middle of the street.

"Stay close to the curb", the father warned. But Anthony kept weaving away from the sidewalk. Finally Dad lost patience and said, "if you don't stay close to the curb, I can't let you ride in the street anymore."

Anthony stopped his bike, turned around and looked straight at Dad. He said "What's a curb?"

There are all sorts of stories about children learning their boundaries. I like this one because it deals with our role in making the ground rules clear. I don't have kids but I face this all the time managing work projects. We all play roles in our company's success. But it can be hard to curb your enthusiasm and follow the game plan. If there is one.

In business, project management itself is misunderstood. People charged with keeping a project on track likely don't have final say in how much money it gets, or even who gets to work on it. Here I'm taking a few minutes to lay some ground rules for putting down ground rules.

Everyone needs goals but not everyone thinks about the role of spelling them out. Four years ago I became a student of this process when my boss put me on project work and gave me a copy of "Project Management for Dummies." Don't be offended, he said, it's actually one of the better books on the subject.

A few more projects and a few more bosses later I was getting coaching from the head of the Project Management Office. He had me go out and get "The Complete Idiot's Guide to Project Management." So you see how I've progressed. (Don't be offended, he said, it's an easier reference than the PMBOK Guide. Those are the certification documents, and the Celebrex fine print is easier reading.)

Now, complete idiots may not know a what makes a good set of project goals, but the developer building Trump Tower and the developer building your accounting software will tell you the same three things about goals:

  1. Goals must be specific. Any idiot should be able to understand them. That's important because in this climate, the project could be out of your hands and left for some other idiot to figure out. Till then, you need to be able to explain the task to managers without them getting antsy and checking their messages.


  2. Goals must be realistic. You don't need a work example here. Go to Borders and look at the magazine racks. There are dozens of titles about building the perfect kitchen. I'm never going to be able to afford the perfect kitchen. When I remodel I'll be lucky if the electrical system is capable of running the perfect 5-quart mixer. Either way, the dough does not just make itself.


  3. Goals must be measurable. Part of keeping it real is putting down goals you can track. My bosses may expect perfection from me if I haven't sold them on the previous point. But at least my projects have to define what's good enough. Otherwise contractors don't know what to bid, and when they're finished you can't say whether they earned it.


To stick to these goals, three other things must be clear at the outset:

  1. Goals must have deadlines. The more deadlines, the better to move things along one step at a time. I ran status meetings for a boss that liked a one-line summary of each project, with just an end date for each. It wasn't too surprising when those ending dates kept getting revised later and later.


  2. Goals must have consensus. Sometimes it seems my main role running a project is just setting up meetings and taking notes. That would frustrate me till I realized that if you don't get everyone on the same page, things quickly get creepy, as in "scope creep." There's power in spelling out how far a group will take a . The first step in setting the agenda turns out to be sending out the agenda.

  3. Goals must have owners. If you've seen an e-mail from me you know what I mean. I get so many emails "FYI" that it's hard to know I'm actually being asked to do something. Almost every sentence in my emails starts with someone's name -- Joe, can you do this task? Chris, can you automate it? To get a job done it's not enough to just ask. I have to ask someone.


These half-dozen rules can help keep any project from sliding off the rails. Take a blank sheet of paper and devote it to any project that's giving you fits, at home or at work. Write down what you're trying to do, why you're trying to do it, and how you'll know when it's done. You'll end up with a much better grasp on the situation.

There are so many things we have to deal with in a day that it's hard to make much progress on any of them. But it's like riding a bicycle: Once you've learned how, you can pick it up at any time. If you know where to point yourself, it's easier to move straight ahead.

25 edited things about me

    "25 Random Things About Me" is so February 2009. But anyone who works in a newsroom knows that some information just sits in the queue till things get slow:

  1. Brenda is God's most marvelous creation. Not that you aren't awesome too.

  2. My mom studied communications. My dad studied logic. I'm studying them.

  3. My bookshelves are flouting Zero Book Growth policy.

  4. Newspapers will die when laptops are cheap enough to leave on the L.

  5. Ed il mio bacio scioglierà il silenzio che ti fa mia.

  6. Playing softball on asphalt, I couldn't understand why anyone would slide into home.

  7. My 7th-grade chemistry class at St. Mary's: Watching the teacher handle test tubes.

  8. I shot news stories on a Bell & Howell Filmo.

  9. I wrote Fortran for a Univac 1110.

  10. I played in a band with Clark Terry.

  11. Why did I have to learn penmanship from Ditto but slide rule from Mimeograph?

  12. Time to break for coffee.

  13. If I don't cry at the opera, it's bad opera.

  14. Brenda calls me a raisinholic, but I can stop eating anytime I want.

  15. Dominus vobiscum. Et cum spirito tuo.

  16. How did Tall become the small size? In clothing, I mean.

  17. Best part of my desk set: My grandfather's pica pole.

  18. I sang at Cardinal Cody's funeral.

  19. I set type on a Compugraphic.

  20. My studies changed from art to journalism because my paintings all had text.

  21. My favorite color is gray.

  22. Games are meant to be played, not watched. Except playing baseball is mostly watching.

  23. Marvel Comics taught me Yiddish. That's meshuga.

  24. Less Facebook time means more face time and more book time.

  25. Sto lat, sto lat. Niech zyje, zyje nam.

  26. The best part about the web is that it will count to 25 for you.